Showing posts with label Arab. Show all posts
Showing posts with label Arab. Show all posts

Tuesday, May 5, 2015

Tamarind Margarita

Tamarind Margarita
Photo by Leticia Alaniz © 2015
Tamarind has a very rich legacy in Mexico, but it traveled a long way from tropical Africa and made it’s way into southern India before it reached the Realm of The New Spain.  It was the Arabs who then carried tamarind pods from India and introduced it to ancient Persia, now known as Iran, the Gulf region, and even back to Egypt.  Pulp from the pods was dried, made into paste, syrups, used in cooking and for medicinal purposes.   

Like all riches, especially those we can eat, tamarind reached Europe in medieval times, introduced by the Arabs.  The journey continued until the indehiscent legume (a legume that does not split open when ripe) finally arrived in Mexico, brought over during the colonization by the Spaniards.  The tamarind tree was soon cultivated with much success in the hot tropical states of Michoacán, Guerrero, Oaxaca and Chiapas.  

Growing up, especially during festive occasions, there were always many sweet, savory, spicy and tangy candies made with tamarind pulp.  There were those that came in little pots shaped like a jarrito, or the clay pots used to slow-cook beans and other delicacies.  The varieties are in the thousands, but another one of my favorites was a flat laminate-shaped tamarind paste called Pulparindo.  Then there are the all famous diablitos or little devils, aptly named because they are shaped like a small stone, it looks black, it is so sour and as many mexican candies, it is covered in lots of dried chile, salt and sugar and it makes your mouth water bringing out the inner child.  I don’t know why they are called diablitos, but I used to think it was because only the devil could be brave enough to eat those!  

Even the little ones start eating tamarind with chile at an early age.  In order for  their their little hands to hold a sweet and sour tamarind candy, there are the cucharitas, little spoons with the tamarind dried on and covered with sugar.  The sourness tickles their little tongues and they make cute, puckering faces as they eat them!

All types of Mexican savory dishes are prepared with tamarind pulp.  A loin in a rich tamarind sauce is one of my favorites.  Grilled fish or other types of seafood fare well too.  A velvety thick tamarind sauce called chamoy, is also used in a variety of ways.  It is poured over shaved ice, especially delicious in the hot summer.  It is made into paletas or popsickles, and it is cleverly drizzled to coat the inside of a glass, right before an icy cold beer is poured.  It takes everything to another dimension.

Below is classic Margarita made with the pulp of tamarind.  The flavor is very tart with a tropical sweetness.  It’s just perfect!

Ingredients

2 oz of Tequila Blanco (Herradura is a good choice)
1 oz of tamarind concentrate 
1 oz of triple sec or Cointreau
1/2 oz of Agave nectar or simple syrup
Lime for garnish (optional)

Preparation

Coat the rim of a margarita glass or a rocks glass with a mixture of salt and dried chile, or if you prefer sugar, or even mexican Tajin fruit seasoning,  fill with ice and set aside.  Add the remaining ingredients to a shaker and fill with fresh ice.  Shake, and strain into the prepared glass.  Garnish with a lime wheel (optional).  

Wednesday, April 27, 2011

Magical Mehndi - It's transformative powers

Photograph by Glenn Katz © 2009 All Rights Reserved.
Mehndi design by: Surinder Marbha





for the royal and the rich, mehndi was a custom of applying intricate decorative patterns on their bodies, mostly on the hands and feet.  The practice has survived over 5ooo years.  



It is a ritualistic process applied with a paste called henna.  Henna is obtained from the henna plant or lawsonia inermis tree.   Its leaves are dried and crushed into a fine powder, then made into a paste.  The application of the paste results in elaborate patterns that stain the skin a reddish color, which can last anywhere from several days to several weeks.  


The practice is so ancient that no one knows the exact origins of this custom.  The ancient Pharaohs used henna to stain the fingers and toes in the mummification process of their dead.  It is believed that the royal Mughal invaders introduced mehndi to the Asian subcontinent during the 12th century AD.  


It may have been adopted into the Hindu tradition when thousands of Hindus converted to Islam.  Skilled artists applied mehndi in intricate and delicate floral Arabian patterns, then the style slowly started changing to the Indian paisley pattern.  


The henna paste was applied to women and some men during auspicious ceremonies, specifically during marriage.  According to the Kama Sutra, mehndi is one of the sixty four arts of women.  It epitomizes a woman's transformation in which she becomes a temptress to her husband.


Mehndi has also been used for cooling, medicinal purposes, as well as a natural dye for the hair.  As time passed, mehndi began to be used not only for the royal families but for the general populations.  


Mehndi is practiced in many parts of the world.  From the deserts of North Africa, the Middle East, & India.  It is a ritual integral in the adornment in Hindu, Muslim, and Sephardic cultures.  
Photograph by Leticia Alaniz © 2008 All Right Reserved.
Caption: A Hindu woman shows the pattern on her hand, while her son peeks thru with  curiosity.
New Delhi, India

It is taught and practiced largely in the oral tradition, with patterns and recipes passed from one generation to the next.  One of the most common beliefs about mehndi is the color of the henna on a bride's hands.  If the color is deep and red, it is said that the love between the husband and wife will be strong and long-lasting.  


Mehndi is magical, and there is no exaggeration.  It has transformative powers -- the metamorphosis of man and woman into husband and wife.  This became part of the vocabulary of expression of love, a second birth, a ritual of transcendence, religion, language, and beautification as a form of worship.